Which Instrument will you become?

STEP 1 – Click the link above to register for all of your competition divisions (opens March 1)

Early bird pricing for competition entry fees ends on Saturday May 31st, 2025.

In advance pricing from Sunday June 1st to Monday August 25th, 2025.

Entry fees are non-refundable.

STEP 2 – Purchase your Event Pass or Full Pass via the Tickets page on our site.

ALL competitors MUST be paid attendees at the Musicality World Dance Competition and must purchase a Competitor Event Pass. No exceptions.

STEP 3 – If competing in a choreography division, submit your music by August 1st (link will be posted by May 1st below)

STEP 4 – Onsite at the venue, check in for your competition divisions based on the schedule posted on our schedule page. Checking in means going to the competition table to receive your competitor number and ensure that you are listed in the correct divisions. If you are competing on multiple days and times, you only need to check in once.

Important: Spots in the competition divisions are limited due to time constraints and may sell out. Your spot will only be reserved once payment has been received. Please register early to avoid disappointment.

DEFINITIONS:

1. Musicality means to connect with the music, to feel the music and to be a part of the music, to experience it on one’s skin and to be fully transported by allowing it to enter and guide our emotions. The dancer’s body becomes the translated language of music and the combination of emotions is translated into movement.

2. Free Art Musicality Division means that any of the following genres of dance and music can be chosen/played: Classical, Latin, Urban, Jazz, Blues, Pop/Rock or Afro.

3. Toque:  Santería religious practice is mainly centered on the worship of the orishas. Addressed to the orishas is the ritual of Toque de santo, which allows the deities to be invoked through song, dance and the rhythm of the batá.

4. A couple is defined as one male dancer and one female dancer.

5. A duo is defined as two dancers of the same gender.

6. An Amateur dancer is defined as a hobby dancer that has not taught a class nor assisted in workshops or classes. 

7. A Professional dancer is defined as a dancer that gets paid to teach or to perform. Dance is their profession (or their part time profession).

8. A Pro-Am couple is defined as a professional dancer or dance teacher dancing with their student or an amateur dancer.

9. The judging panel at the Musicality World Dance Competition will consist of both professional dancers and professional musicians.

10. For team choreography divisions, a team must have a minimum of 3 dancers and a maximum of 10 dancers.

11. The level of all team divisions is open. The dancers on a team can be any level – all amateur dancers or all professional dancers or a mix of amateur and professional.

12. A choreography division means that the dancers will each perform a prepared choreography to a recorded song of their choice.
Maximum time 1:30 minutes for solos, couples and duos.
Maximum time for teams 2:30 minutes.

13. For the Free Art Choreography Division, any genre of dance and music can be used.

14. For 15 and Under divisions, the dancer must be 15 years old or younger on the day of the competition.

15. In all divisions, the costume can be any style but should represent your personality because it is important that the competitors feel 100% themselves.

The Musicality divisions will have a pure focus on improvisation and will be conducted to a live orchestra.

The concept for the division: WHICH INSTRUMENT WILL YOU BECOME?

The costume can be any style but should represent your personality because it is important that the competitors feel 100% themselves.

SALSA MUSICALITY SOLO, COUPLE & SAME GENDER DUO DIVISIONS:

QUALIFYING ROUND:
*Please note the below rules apply to all Salsa Improvisation divisions (solos, couples & duos)

1. The competitor(s) comes onstage for their improvisation round and announces to the judges which instrument they will become (Piano, bass, trumpet, congas, timbales, drums, batá).
2. The DJ will play a Salsa song randomly selected from a list of songs decided upon in advance by the organizers. This list of songs will be posted on the website by June 21st.
3. The competitor(s) will not know which song they will be dancing to until the song begins.
4. The competitor(s) will improvise to the song being played. After approximately 30 seconds of general dance improvisation, the DJ, using software created for the Musicality World Dance Competition, will isolate the instrument that the competitor chose. This is when the dancer(s) will “become” that instrument in their improvisation. They will improvise to the isolated instrument for 20 seconds. The competitor’s goal is to improvise exactly to the emphasis and musicality of the solo instrument, to express and reflect all of the musicality that they hear from the instrument through improvisation.
5. The competitor will then finish with another 30 seconds of general dance improvisation. The total time the competitor(s) will be dancing/improvising is approximately 1:30 minutes.

After the qualifying rounds, the results of who will advance to the semi finals will be published and announced on stage.

Then the pairs of dancers that will duel against each other in the semi finals will be randomly selected out of a hat and announced.

SEMI FINAL ROUND:

1. For the semifinal, the two competing dancers will randomly draw from a hat: the instrument they will “become”, the song, and who will dance first.

2. The orchestra will play a randomly chosen salsa song. These songs will NOT be announced in advance.

3. The two competing dancers will not know which song they will dance to until the orchestra starts playing.

4. Contestant nº 1 will improvise to the song, facing the judges and the audience. After about 20 seconds of general improvisation, the musician playing the first randomly chosen instrument will begin their solo. The musician will present the melody and the first phrases to contestant nº 1. Contestant nº 1 will listen to the soloist for 4 bars (i.e., 4 counts of 8, 4 bases, or 4 claves).

   During this listening phase, the contestant may continue dancing with basic steps or may stand still to listen. The contestant will not be judged on their dancing during the listening phase.
   The musician will then repeat the same phrases, and at this point contestant nº 1 will “become” that instrument through their improvisation. The contestant’s goal is to express and reflect the musicality of that instrument through movement.

5. Contestant nº 2 will observe during the first solo.

6. Once contestant nº 1’s solo is complete, contestant nº 2 will take their turn, following the exact same format described above with the instrument they randomly drew.

7. Contestant nº 1 will observe during contestant nº 2’s solo.

8. Contestants nº 1 and nº 2 will duel twice, repeating the 20 seconds of general improvisation followed by dancing with the soloist — always for 4 bars at a time, and always using the instrument chosen at the beginning.

9. The total dancing/improvisation time for each contestant is approximately 1 minute and 30 seconds.

10. In each duel, one contestant will be selected by the judges to move on to the final round, while the other will be eliminated.

11. NOTE: If a competitor is eliminated in the semi final duel round, and they feel they deserve to be in the finals, they can apply to the judging panel for a second chance. If the majority of the judges say yes, then that competitor will be allowed to do a solo improvisation one more time. The song will be randomly selected and could be a recorded song from a list of songs pre selected from the organizers or could be the orchestra playing live. If the majority of the judges say yes for that competitor to then move to finals, they advance. If not, they are eliminated. This second chance will be determined by a simple yes or no (not marks).

FINAL ROUND:

1. The orchestra will play a Salsa song randomly selected from a list of songs decided upon in advance by the organizers. These will be different songs than the ones used in the qualifying rounds. These songs will NOT be published in advance.
2. The competitor will not know which song they will be dancing to until the orchestra starts playing.
3. No specific instrument will be chosen by the competitor.
4. The competitor will improvise to the song being played. After approximately 30 seconds of general dance improvisation, the orchestra will present and play 4 measures (ie 4 counts of 8 or 4 basics or 4 clave). The competitor will pay careful attention to the orchestra for 4 measures (ie 4 counts of 8, 4 basics or 4 clave). NOTE: the competitor can continue dancing basics or can stand and listen. The competitor will not be judged on their dancing during the listening phase. The orchestra will then replay the same 4 measures and the dancer will “become” the instruments and the music in their improvisation. The competitor’s goal is to express and reflect ALL of the musicality that they hear from the full orchestra during their improvisation.
5. This will be repeated 2 more times (for a total of 3 mini improvisational solos by the dancer).
6. The competitor will finish with a final 30 seconds of general dance improvisation to the whole orchestra.
7. The total time the competitor will be dancing/improvising is approximately 1:30 minutes.
8. The dancer that becomes the music – with their expression, their passion, their soul, with the accents, the breaks, the musicality and creativity – that dancer will be the winner.

JUDGING CRITERIA FOR SALSA MUSICALITY DIVISIONS: One raw score out of 10. The judges will be basing their marks on your musicality and ability to improvise. 

SALSA MUSICALITY DIVISIONS:
Salsa Musicality Solo Female, 15 years & Under
Salsa Musicality Solo Male, 15 years & Under
Salsa Musicality Solo Female, Amateur
Salsa Musicality Solo Male, Amateur
Salsa Musicality Solo Female, Professional
Salsa Musicality Solo Male, Professional
Salsa Musicality Couple, 15 years & Under
Salsa Musicality Couple, Amateur
Salsa Musicality Couple, Professional
Salsa Musicality Same Gender Duo Female, 15 years & Under
Salsa Musicality Same Gender Duo Male, 15 years & Under
Salsa Musicality Same Gender Duo Female, Amateur
Salsa Musicality Same Gender Duo Male, Amateur
Salsa Musicality Same Gender Duo Female, Professional
Salsa Musicality Same Gender Duo Male, Professional

AFRO CUBAN  DIVISIONS: SOLOS

QUALIFYING ROUND:

1. The orchestra will play a projected piece on the Afro Cuban essence (Rumba, Columbia, Son, Timba)
2. The dancer will begin with 30 seconds of generic improvisation inherent to Afro Cuban 
3. The orchestra will introduce the Afro Yoruba toque that the dancer must perform to conclude his or her improvisation
4. The dancer will have the first 7 seconds to listen, recognize the toque and then continue to interpret it 
5. At the end of the interpretation the dancer will be asked to identify the toque they just performed (toques will be posted on the website by June 21). 
6. The dancer who identifies the toque incorrectly will have a penalty on the judging 
7. Maximum duration 1.15 min

SEMI FINAL ROUND:

1. The orchestra will play a projected piece on the Afro Cuban essence (Rumba, Columbia, Son, Timba)
2. The dancer will begin with 30 seconds of generic improvisation inherent to Afro Cuban 
3. The orchestra will introduce the Afro Yoruba toque that the dancer must perform to conclude his or her improvisation
4. The dancer will have the first 7 seconds to listen, recognize the toque and then continue to interpret it 
5. At the end of the interpretation the dancer will be asked to identify the toque they just performed (toques will be posted on the website by June 1). 
6. The dancer who identifies the toque incorrectly will have a penalty on the judging 
7. Maximum duration 1.15 min NOTE: If a competitor is eliminated in the semi final duel round, and they feel they deserve to be in the finals, they can apply to the judging panel for a second chance. If the majority of the judges say yes based on the competitor’s technique and interpretation, then that competitor will be allowed to do a solo improvisation one more time. The Afro Cuban song will be randomly selected and could be a recorded song from a list of songs pre selected from the organizers or could be the orchestra playing live. If the majority of the judges say yes for that competitor to then move to finals, they advance. If not, they are eliminated. This second chance, will be given a score of simply yes or no (not marks).

FINAL ROUND:

1. The orchestra will play a projected piece on the Afro Cuban essence (Rumba, Columbia, Son, Timba)
2. The dancer will begin with 30 seconds of generic improvisation inherent to Afro Cuban 
3. The orchestra will introduce the Afro Yoruba toque that the dancer must perform to conclude his or her improvisation
4. The dancer will have the first 7 seconds to listen, recognize the toque and then continue to interpret it 
5. At the end of the interpretation the dancer will be asked to identify the toque they just performed (toques will be posted on the website by June 1). 
6. The dancer who identifies the toque incorrectly will have a penalty on the judging 
7. Maximum duration 1.15 min

JUDGING CRITERIA FOR AFRO CUBAN DIVISIONS:
One raw score out of 10. The judges are basing their scores on your technique, improvisation and knowledge of Afro Cuban elements.

AFRO CUBAN  DIVISIONS:
Afro Cuban Solo Female, 15 & Under
Afro Cuban Solo Male, 15 & Under
Afro Cuban Solo Female, Amateur
Afro Cuban Solo Male, Amateur
Afro Cuban Solo Female, Professional
Afro Cuban Solo Male, Professional

FREE ART DIVISIONS – SOLOS & DUOS

In the Free Art Division, any music genre may be used, including classical, Latin, urban, jazz, blues, pop, rock, or Afro.

The concept of this division: BECOMING MUSIC.

QUALIFIERS:

1. The contestant steps onto the stage for their improvisation round and randomly draws a music genre from a hat (classical, Latin, urban, jazz, blues, pop, rock, or Afro).

2. Once the genre is chosen, the contestant randomly draws a number (from 1 to 5) from a hat.

3. The DJ will play the song associated with the selected genre and number.

4. The contestant will improvise to the song for 1 minute.

5. For each genre, 5 songs will be pre-selected by Angelo Rito and published in advance on the website. The DJ will play one of these songs. All 5 songs per genre will be well-known/popular. The list will be available on the website by June 1st.

At the end of the qualifiers, the results of who advances to the semifinals will be published and announced on stage.

The dancer duels in the semifinal will be randomly paired and announced on stage.

SEMIFINAL:

1. In the semifinal, the two contestants who duel must dance to the same genre and the same song.

2. Contestant nº 1 will randomly draw a genre from a hat.

3. Contestant nº 2 will randomly draw a number from 1 to 5 from a hat (to determine the specific song).

4. The host will randomly draw from a hat to decide which contestant will dance first.

5. The DJ will play the song associated with the chosen genre and number for contestant nº 1.

6. The contestant will improvise to the music, facing the judges and the audience, for 1 minute.

7. Contestant nº 2 observes the first solo.

8. After contestant nº 1 finishes dancing, contestant nº 2 will perform their improvisation using the same genre and the same song, also for 1 minute.

9. Please note: 5 pre-selected songs per genre, chosen by Angelo Rito, will be published in advance on the website. These songs will be well-known/popular. The list will be available on the website by June 1st.

10. The two contestants will not know which song they will dance to until the DJ starts playing.

11. In each duel, one contestant will be selected by the judges to advance to the final, and one contestant will be eliminated.

NOTE: If a contestant is eliminated in the semifinal and believes they deserve to reach the final, they may request a second chance from the jury.
If the majority of judges vote in favor, the contestant may perform another solo improvisation.
The genre and song will be randomly selected from a pre-approved list of recorded songs chosen by the organizers.
If the majority of the judges say “yes,” the contestant will move on to the final. If not, the contestant is eliminated. This second chance is determined by a simple “yes” or “no” from the jury.

FINAL:

1. The contestant steps onto the stage for their improvisation round and randomly draws a genre from the hat (classical, Latin, urban, jazz, blues, pop, rock, or Afro).

2. Once the genre is chosen, the contestant randomly draws a number (from 1 to 5) from the hat.

3. The DJ will play the song associated with the chosen genre and number.

4. The contestant will improvise to the song for 1 minute.

5. The dancer who becomes music — through their expression, passion, soul, use of accents, pauses, musicality, and creativity — will be the winner.

JUDGING CRITERIA FOR FREE ART MUSICALITY DIVISIONS:

One raw score out of 10. The judges will be basing their marks on your musicality and ability to improvise. 

FREE ART  DIVISIONS:
Free Art Solo Female, 15 years & Under
Free Art Solo Male, 15 years & Under
Free Art Solo Female, Amateur
Free Art Solo Male, Amateur
Free Art Solo Female, Professional
Free Art Solo Male, Professional
Free Art Same Gender Duo Female, 15 years & Under
Free Art Same Gender Duo Male, 15 years & Under
Free Art Same Gender Duo Female, Amateur
Free Art Same Gender Duo Male, Amateur
Free Art Same Gender Duo Female, Professional
Free Art Same Gender Duo Male, Professional

BACHATA MUSICALITY DIVISIONS: SOLOS & COUPLES

The Bachata Musicality divisions will have a pure focus on improvisation.

The music will be randomly selected by the DJ based on a playlist created by the organizers. 

The concept for the division: BECOME THE MUSIC.

The costume can be any style but should represent your personality.

QUALIFYING ROUND:
1. The competitor(s) comes onstage for their improvisation round and selects a number (1 through 10) randomly from the hat. 
2. The DJ will play the song associated with the number chosen and the software will isolate an instrument for the competitor to become. 
3. The competitor(s) will improvise to the song being played for 1 minute.
4. Note: The organizers will list on the website 10 Bachata songs ahead of time and the DJ will play one of the songs from the list. The songs will be posted on the website by June 21st.

After the qualifying rounds, the results of who will advance to the Semi finals will be published and announced on stage.

The pairs of dancers that will be dueling in the semi finals will be randomly selected and also announced on stage.

SEMI FINAL ROUND:
1. For the semi finals, the two competitors dueling will dance to the same song.
2. The MC will randomly select from the hat which competitor will be the first to dance.
3. The MC will randomly select a number from 1-10 out of a hat.
4. The DJ will play the song associated with the number selected for competitor #1. The  software will isolate an instrument for the competitors to become. 
5. Competitor #1 will improvise to the song being played, facing the judges and the audience, for 1 minute.
6. Competitor #2 is watching during the first solo.
7. Once competitor #1 has danced, competitor #2 will then do their improvisation to the same song, also for 1 minute.
8. The organizers will list on the website 10 songs ahead of time and the DJ will play one of the songs from the list.
9. In each duel, one competitor will be chosen by the judges to move on to the final round and one competitor will be eliminated.
10. NOTE: If a competitor is eliminated in the semi final duel round, and they feel they deserve to be in the finals, they can apply to the judging panel for a second chance. If the majority of the judges say yes, then that competitor will be allowed to do a solo improvisation one more time. The genre and song will be randomly selected and could be a recorded song from a list of songs pre selected from the organizers or could be the orchestra playing live. If the majority of the judges say yes for that competitor to then move to finals, they advance. If not, they are eliminated. This second chance will be determined by a simple yes or no (not marks).

FINAL ROUND:
1. The competitor(s) comes onstage and selects a number (1 through 10) randomly from the hat.
2. The DJ will play the song associated with the number chosen and the software will isolate an instrument for the competitor to become. 
3. The competitor(s) will improvise to the song being played for 1 minute.
4. These songs will NOT be listed on the website but they will be popular Bachata songs.

JUDGING CRITERIA FOR BACHATA MUSICALITY DIVISIONS:
One raw score out of 10. The judges will be basing their marks on your musicality and ability to improvise.

BACHATA MUSICALITY DIVISIONS:
Bachata Musicality Solo Female, 15 years & Under
Bachata Musicality Solo Male, 15 years & Under
Bachata Musicality Solo Female, Amateur
Bachata Musicality Solo Male, Amateur
Bachata Musicality Solo Female, Professional
Bachata Musicality Solo Male, Professional
Bachata Musicality Couple, 15 years & younger
Bachata Musicality Couple, Amateur
Bachata Musicality Couple, Professional

1. The teams will first listen to the orchestra play 3 different Salsa songs (1 minute each in length).
2. The team director will scan a QR code and download the 3 songs into their phones.
3. The team will choose one of the 3 songs and create a choreography from min duration 1 min to max 1.15 min, in 30 minutes.
4. The team will then perform their choreography onstage accompanied by the live orchestra.

If less than 15 teams enter, than this is a final round. If there are more than 15 teams, the top 5 teams will be selected by the judges and will perform their choreography creations one more time for the judges to select the top 3.

Number of dancers on a team must be between 3 and 10.

JUDGING CRITERIA FOR MUSICALITY TEAM IMPRO CREATION DIVISION:
Musicality 40%
Timing 15%
Creativity & Originality 15%
Technique 10%
Expression & Personality 10%|
Presentation 10%

The divisions include:
Professional Choreographer Award, Salsa Musicality
Professional Choreographer Award, Free Art*
Professional Choreographer Award, Afro Cuban

Video Audition:
To enter any of these three divisions, choreographers must apply in advance by sending in a video of their choreography to Angelo Rito at info@musicalitydancecompetition.com.
The choreographer can be one of the dancers in the video submission or it can be only the dancers that they train.

Minimum time for choreography is 1:30 minutes. 
Maximum time is 2:30 minutes.

Deadline for submission is June 1st, 2025.
Selection will be made by June 15th and the choreographers notified by email.
A maximum of 10 choreographers will be selected per division.

Competition:
The choreographers that are selected will bring their choreography to be performed on stage. The choreography can consist of a couple, a duo or a team. The choreographer may or may not be one of the performers.

The choreographer has freedom of expression and creativity. The choreography must be balanced. For example: If the dancer has acrobatic skills, he/she may include lifts and tricks but the choreographer must remember that the choreography must have musicality throughout. If tricks are added, they must be at the same level of the dance technique and continue to be artistic and musical.

*Free Art means that any genre of music and dance is allowed including but not limited to Classical, Jazz, Blues, Contemporary, Ballet, Urban, Flamenco, Latin, etc.

The choreographers’ work will be judged with the following criteria:
Musicality 40%
Timing 15%
Creativity & Originality 15%
Technique 10%
Expression & Personality 10%|
Presentation 10%

Note that the choreographer wins the award.

HEATED MUSICALITY IMPROVISATION DIVISIONS:
1. In the heated divisions, several soloists or couples will dance on the stage at the same time to music played by the live orchestra.
2. The songs played will be selected randomly by the MC and the dancers will not know which song will be played until the orchestra begins.
3. Each heat generally lasts 1:15 – 1:30 minutes.
4. No lifts or tricks are permitted.

Heats are improvisation divisions.
For the solo heated divisions, the dancer will be improvising shines to the orchestra.
If it is a couple division, the dancers will be dancing and improvising as a lead/follow.

The competitors are being judged on their musicality and creativity and ability to reflect whatever music is played as well as their technique, connection and presentation.

JUDGING CRITERIA FOR HEATED IMPROVISATION DIVISIONS:
One raw score out of 10. The judges will be basing their scores on your Musicality, Timing, Creativity & Originality, Technique, Expression & Personality & Presentation 

HEATED DIVISIONS:
Salsa Musicality Solo Heated Division Female, 15 years & Under
Salsa Musicality Solo Heated Division Male, 15 years & Under
Salsa Musicality Solo Heated Division Female, Amateur
Salsa Musicality Solo Heated Division Male, Amateur
Salsa Musicality Solo Heated Division Female, Professional
Salsa Musicality Solo Heated Division Male, Professional
Salsa Musicality Couple Heated Division, 15 years & Under
Salsa Musicality Couple Heated Division, Amateur
Salsa Musicality Couple Heated Division, Professional
Salsa Musicality Pro Am Couple Heated Division Female, 15 years & Under
Salsa Musicality Pro Am Couple Heated Division Male, 15 years & Under
Salsa Musicality Pro Am Couple Heated Division Female
Salsa Musicality Pro Am Couple Heated Division Male

Dancers competing in these divisions will each perform a prepared choreography to a recorded song of their choice.
Maximum time 2:00 minutes for solos, couples and duos.
Maximum time for teams 2:30 minutes.

1. It is NOT allowed to add sound effects to enhance the music. If a dancer enhances their song with sound effects, the head judge will deduct 0.5 marks from each judge’s final score.
2. It is PERMITTED to combine a maximum of three songs for the choreography portion. If songs are combined in your choreography, the judges (a mix of professional dancers and musicians) will also be judging how well the music was combined.
3. It is PERMITTED to use songs created by Producers and DJs inspired by the composers.
4. The choreography must be balanced. For example: If the dancer has acrobatic skills, he/she may include lifts and tricks but the dancer must remember that the choreography must have musicality throughout. If you add tricks, they must be at the same level of your dance technique and continue to be artistic and musical.
5. Timing will be judged as part of musicality. If a dancer goes off time, marks will be deducted
If the choreography has been created stepping forward on count 1, the whole choreography must be danced on 1. If the choreography steps forward on count 2, the whole choreography must be danced on 2.
6. The dancer can musically include Son timing or Afro Cuban timing in their choreo if it musically matches and interprets the music. If the choreography is to a Cuban song, any Orishas must be interpreted correctly.
7. Creativity and originality will be judged based on the choreography itself and on the originality of the song chosen.
8. Costumes will be judged as part of the presentation score. The costume can be any style but should match your personality and the choreography.

JUDGING CRITERIA FOR CHOREOGRAPHY DIVISIONS:
The competitors in the choreography divisions will be scored in the following categories: Musicality 40%
Timing 15%
Creativity & Originality 15%
Technique 10%
Expression & Personality 10%|
Presentation 10%

CHOREOGRAPHY DIVISIONS:
Salsa Choreography Solo Female, 15 years & Under
Salsa Choreography Solo Male, 15 years & Under
Salsa Choreography Solo Female, Amateur
Salsa Choreography Solo Male, Amateur
Salsa Choreography Solo Female, Professional
Salsa Choreography Solo Male, Professional
Salsa Choreography Couple, 15 years & Under
Salsa Choreography Couple, Amateur
Salsa Choreography Couple, Professional
Salsa Choreography Same Gender Duo Female, 15 years & Under
Salsa Choreography Same Gender Duo Male, 15 years & Under
Salsa Choreography Same Gender Duo Female, Amateur
Salsa Choreography Same Gender Duo Male, Amateur
Salsa Choreography Same Gender Duo Female, Professional
Salsa Choreography Same Gender Duo Male, Professional

Bachata Choreography Solo Female, 15 years & Under
Bachata Choreography Solo Male, 15 years & Under
Bachata Choreography Solo Female, Amateur
Bachata Choreography Solo Male, Amateur
Bachata Choreography Solo Female, Professional
Bachata Choreography Solo Male, Professional
Bachata Choreography Couple, 15 years & Under
Bachata Choreography Couple, Amateur
Bachata Choreography Couple, Professional

Salsa Team Choreography
Salsa Team Choreography, 15 years & Under
Bachata Team Choreography
Bachata Team Choreography, 15 years & Under
Free Art Division Team Choreography
Free Art Division Team Choreography, 15 years & Under
Afro Cuban Team Choreography
Afro Cuban Team Choreography, 15 years & Under

Coming Soon

Coming Soon